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Aphrodite declared the Adonia festival commemorating his tragic death, which was celebrated by women every year in midsummer. During this festival, Greek women would plant "gardens of Adonis", small pots containing fast-growing plants, which they would set on top of their houses in the hot sun.
The plants would sprout, but soon wither and die. Then the women would mourn the death of Adonis, tearing their clothes and beating their breasts in a public display of grief.
In late nineteenth and early twentieth century scholarship of religion , Adonis was widely seen as a prime example of the archetypal dying-and-rising god , but the existence of the "dying-and-rising god" archetype has been largely rejected by modern scholars and its application to Adonis is undermined by the fact that no pre-Christian text ever describes Adonis as rising from the dead and the only possible references to his resurrection are late, ambiguous allusions made by Christian writers.
His name is often applied in modern times to handsome youths, of whom he is the archetype. The myth of Aphrodite and Adonis is probably derived from the ancient Sumerian legend of Inanna and Dumuzid.
The earliest known Greek reference to Adonis comes from a fragment of a poem by the Lesbian poetess Sappho c. Women sit by the gate weeping for Tammuz, or they offer incense to Baal on roof-tops and plant pleasant plants.
These are the very features of the Adonis legend: The exact date when the legend of Adonis became integrated into Greek culture is still disputed.
Walter Burkert questions whether Adonis had not from the very beginning come to Greece with Aphrodite. While Sappho does not describe the myth of Adonis, later sources flesh out the details.
Aphrodite found the baby,  and took him to the underworld to be fostered by Persephone. In one version of the story, Aphrodite injured herself on a thorn from a rose bush  and the rose, which had previously been white, was stained red by her blood.
The myth of Adonis is associated with the festival of the Adonia , which was celebrated by Greek women every year in midsummer. The plants would sprout in the sunlight, but wither quickly in the heat.
In Cyprus, the cult of Adonis gradually superseded that of Cinyras. Atallah suggests that the later Hellenistic myth of Adonis represents the conflation of two independent traditions.
The late nineteenth-century Scottish anthropologist Sir James George Frazer wrote extensively about Adonis in his monumental study of comparative religion The Golden Bough the first edition of which was published in   as well as in later works.
In the mid-twentieth century, scholars began to severely criticize the designation of "dying-and-rising god". The foremost problem with the application of the label "dying-and-rising god" to Adonis is the fact that he is never described as rising from the dead in any extant Classical Greek writings.
The medieval French poet Jean de Meun retells the story of Adonis in his additions to the Roman de la Rose , written in around Lewis described an attempted reading of it as "suffocating".
Venus and Adonis c. Venus and Cupid lamenting the dead Adonis by Cornelis Holsteyn. From Wikipedia, the free encyclopedia.
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